Tuesday, March 31, 2009

The Ravana Palace which was burnt by Hanuman


Sanjivani Mountain from where Sanjivani Booti was acquired to save Lakshman which has many exotic herbs even now
Floating Stone from Ramsethu(bridge made by lord Rama and Vanarasena)

Sugriva Cave


The Ravana Palace which was burnt by Hanuman
Ashok vatika where Ravana kept Sita

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Monday, March 30, 2009

Nagarjunakonda Buddha

Nagarjunakonda, about 150 km south-east of Hydrebad on the Krishna River.It is one of the largest and most important Buddhist centres from the 2nd century BC until 3rd century AD. Known in those days as Vijaynagar, Nagarjunakonda takes its present name from Nagarjuna, one of the most revered Buddhist monks, who governed the sangha for nearly 60 years around the turn of the 2nd century AD. The Madhyamika school he founded attracted students from as far afield as Sri Lanka and China. The site was discovered in 1926. Subsequent excavations, particularly in the '50s and '60s, have unearthed the remains of stupas, viharas, chaityas and mandapams, as well as some outstanding examples of white marble carvings and sculptures depicting the life of the Buddha. These finds were taken to a purpose-built museum on an island which was created following the decision to flood this entire area to build the enormous Nagarjuna Sagar Dam.

The Krishna Valley region has a rich heritage of Buddhist art befitting one of the greatest centres of Buddhism.
SCULPTURAL PANEL, PANIGIRI, c. 1st century A.D. (Andhra Pradesh State Museum, Hyderabad). The upper part of the panel shows the Buddha's headdress being carried up to the Tushita heaven. The lively and supple depictions of the figures are remarkable.
THE valley of River Krishna, in present-day Andhra Pradesh, was a fertile land, which, from ancient times, saw the blossoming of art infused with the life of the spirit. Here, the bounty of cotton textiles attracted Romans and others from afar, and there developed a prosperous, cosmopolitan culture. As everywhere in India then, philosophic thoughts preoccupied people. The search was for that which was beyond the material aims in life, and all permanent structures, art and monuments were dedicated to this eternal quest of the people.
This region of the Deccan has a very rich heritage of Buddhist art and architecture. An early cave at Guntupalli has a facade that is directly reminiscent of the Lomas Rishi caves at Barabar (in Bihar). These were made in the 3rd century B.C. by Emperor Asoka and his grandson Dasratha for the Ajivika sect of ascetics. The Barabar caves are known to be the earliest in India and perhaps the inspiration for the rock-cut architecture of the Deccan.
CHAITYA, SALIHUNDAM. THERE are many Buddhist stupas and a vast monastic complex on a hillock near the banks of the Vamsadhara river in Srikakulam district. The site was found in 1990. Excavations revealed stupas, a chaitya-griha, temples and sculptures of three phases of Buddhism - the Theravada, Mahayana and Vajrayana - dating from the 2nd century B.C. to the 12th century A.D.
The exquisite later reliefs of the Krishna Valley are similar in many ways to the art of the Ajanta paintings in the western Deccan. The reliefs exhibit a supple grace, and the lines and expressions convey a quality of introspection: a preoccupation with that which is beyond the worldly realm.
In the first two centuries A.D., great caves were hewn out of the mountains in the western Deccan. Enlightenment, the Great Truth beyond the world of forms, was the focus of meditation. The creative forces and the joy of life were represented in the form of divine Yakshas and Yakshis. They were filled with a sense of well-being and the fullness of life.
Joyous Devotees, Panigiri, 1st century A.D. Recent excavations carried out by the Department of Archaeology & Museums, Andhra Pradesh, have unearthed well-preserved exquisite reliefs on stupa railings and pillars of the 1st century A.D. There is a sophisticated sense of design and the figures are full of activity. They convey the joy and flourishing culture of the Krishna Valley in that period.
Meanwhile, in central India, by the 1st century A.D., the toranas of the gateways of Sanchi were complete. The Enlightenment of the Buddha and the path of dharma were represented by symbols that were universal to all religious streams in India. Yakshas, Yakshis and Lakshmi were presented in the art. On the plains of the Ganga and in Gandhara, in the first two centuries A.D., images of the Buddha, Jaina tirthankaras and Hindu deities had come into being.
The fertile valley of the Krishna river was the cradle of civilisation in the eastern Deccan. This area became one of the greatest centres of Buddhism, and over 140 early Buddhist sites have been listed in the region.
A SCULPTED MEDALLION from Panigiri. Recent excavations, conducted by the Department of Archaeology & Museums, Andhra Pradesh, have unearthed a rich treasure trove of fine sculptural reliefs made on stupa railings at Panigiri, about 110 km from Hyderabad. These date back to about the 1st century A.D. The stone is marvellously carved to convey the softness and pliability of human flesh.
Stylistic similarities with the art of Bharhut suggest that the early reliefs found here at stupa sites belong to the 1st century B.C. Jaggayapeta, on a tributary of the Krishna , had many stupas. A relief from Jaggayapeta shows a chakravartin, or a universal monarch, and his seven precious possessions. The shallow carving and other stylistic features are similar to Sunga period reliefs at Sanchi, Bodh Gaya and Bharhut.
The Buddhist site of Amaravati is on the banks of the Krishna, next to the ancient capital of Dharanikota in present-day Andhra Pradesh. The history of the stupas at this site covers at least 1,400 years, from the time of Emperor Asoka in the 3rd century B.C. The earliest railing pillars of the stupa are of granite and were installed by Asoka.
Prince Siddhartha on horseback, Amaravati (British Museum, London). The stupa at this site has a history of over 1,400 years, from the time of Emperor Asoka in the 3rd century B.C. There are many fine sculptural panels here of the various periods of the stupa
By the 1st century B.C., the stupa was enlarged and sculpted limestone slabs with narrative sculptures were added. A drum slab of the stupa shows the Buddha’s enlightenment under the Bodhi tree. Footsteps and parasols indicate his presence. The shallow relief, broad faces, turbans and heavy earrings are reminiscent of other Sunga period art. The Mahastupa
In the 2nd century A.D., the Satavahanas extended their rule to the eastern Deccan. Under them, the sculptural relief of the magnificent stupa reached its culminating phase. The entire stupa was covered with shimmering limestone slabs, with exquisite sculpture. An ornate stone vedika was also added. Today, only a mound remains of the Mahastupa, or Great Stupa, as it is called in inscriptions. In its time, its glory was known throughout the Buddhist world.
Sculptures, Panigiri, 1st century A.D. The graceful compositions of the Krishna Valley reliefs are among the finest in Indic art. The flow of lines is mellifluous and conveys the quality of grace that underlies all of creation. These railings and pillar fragments were excavated recently by the Department of Archaeology & Museums, Andhra Pradesh.
Fortunately, we have an idea of what the stupa looked like from depictions of it in the sculptural reliefs. This self-imaging of the monument is a tradition that continues from here onwards in Indian architecture. The Mahastupa was 162 feet (49.4 metres) in diameter. The railings were made 15 feet (4.6 m) away, taking the total diameter of the monument to 192 feet (58.5 m). The railings were richly sculpted. Their pillars, about 10 feet (3.05 m) high, had full-blown lotuses in the centre and half lotuses on the top and the bottom. The lotus, which rises in its beauty from murky waters, is a pan-Indian symbol of purity and transcendence.
Nagarjunakonda, about 150 km south-east of Hydrebad on the Krishna River

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Sanchi Stupa


Sanchi is famous for outstanding specimen of Buddhist art and architecture, belonging to the period between the third century BC and the twelfth century AD. The most important of all the Sanchi monuments is the Sanchi Stupa. Stupas are large hemispherical domes, containing a central chamber, in which the relics of the Buddha were placed. The Sanchi Stupa is one of the best preserved early stupas in central India. The Sanchi Stupa is surrounded by a railing with four carved gateways facing all the four directions. During the Shunga period the Sanchi Stupa was enlarged and faced with stones and decorated with railings, staircase and a harmika on the top. Around the main Stupa, there is a path for circumambulation. This path is enclosed by a railing with gates at each of the four directions. The railings and gates of the Sanchi Stupa are richly sculptured with different motifs and designs. Another interesting characteristic about the Sanchi Stupa is that Lord Buddha has been symbolically represented by footprints, wheels, thrones etc rather than by his own image. The gateways of Sanchi stupas contain ornamented depiction of incidents from the life of the Buddha and his previous incarnations as Bodhisattvas described in the Jataka tales. The Buddha has been shown symbolically in the form of tree or through other inanimate figures.


Depicts the young prince, Gautama leaving his father's palace on his journey towards enlightenment and the dream his mother had before his birth. The Western Gateway Depicts the seven incarnations of the Buddha. The Northern Gateway Crowned by a wheel-of-law, this depicts the miracles associated with the Buddha as told in the jatakas. The Southern Gateway The birth of Gautama is revealed in a series of dramatically rich carvings.

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Sunday, March 22, 2009

The Residency Lucknow

The Residency is actually a group of buildings that were built in 1800 A.D by the then Nawab of Oudh, Nawab Saadat Ali Khan. It was constructed in order to serve as the residence for the British Resident General who was a representative in the court of Nawab. The palace was rather a sleepy residence for decades but then came an incident, which put it on the world map. The year 1857 will always be mentioned in the chronicles of history because of its dramatic sequence of events. The year saw the Sepoy Mutiny, which is also sometimes referred as 'The First War of Indian Independence'. Lucknow also became one of the seats of that uprising. The Residency became one of the most talked about battlement during the siege of Lucknow. The mutineers laid the siege on The Residency in early June that year. Nearly all the Europeans who resided in the city of Awadh took shelter in Residency. It is said that as many as 3500 people sought shelter during the siege. The siege continued for more than 140 days.

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'Hawa Mahal'



The 'Hawa Mahal' or the Palace of Wind is one of the main landmarks of Jaipur, the capital of Rajasthan. The Hawa Mahal is a five storey building of remarkable architecture and a spectacular example of the Rajput style of architecture made of red and pink sand stone, beautifully outlined with white borders and motif's done (painted) with quick lime. You can get a spectacular view of the Jaipur city from the Hawa Mahal. It is believed that the Hawa Mahal was originally conceived with the aim of enabling ladies of the royal household to watch the everyday life and royal processions in the city without being seen.While looking at the Hawa Mahal from the road below, the structure looks more like a delicate screen than a palace. This amazing five-story, pyramidal structure has 953 small casements. Each one of them has tiny lattice worked (Jali) windows (pink in color), small balconies and arched roofs with hanging cornices, elegantly modeled, engraved and carved. These small windows were meant for air circulation during the summers, so that the palace remained cool. It is interesting to note that the pyramidal outline is even throughout and repetition of motifs has been done to enhance its beauty.

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Khajuraho - World Heritage Site of India

Right through the Mughal invasion and the early British forays into India, Khajuraho temples in India remained unknown. Rediscovered in this century, they are fine reminders of India's glorious past. To some, Khajuraho Temples are the most graphic, erotic and sensuous sculptures of India, the world has ever known. But Khajuraho has not received the attention it deserves for its significant contribution to the religious art of India – there are literally hundreds of exquisite images on the interior and exterior walls of the shrines. Architecturally these temples are unique. While each temple in Khajuraho has a distinct plan and design, several features are common to all. They are all built on high platforms, several metres off the ground, either in granite or a combination of light sandstone and granite. Each of these temples has an entrance hall or mandapa, and a sanctum sanctorum or garbha griha. The roofs of these various sections have a distinct form. The porch and hall have pyramidal roofs made of several horizontal layers. The inner sanctum's roof is a conical tower - a colossal pile of stone (often 30m high) made of an arrangement of miniature towers called shikharas. The famous Western group of temples are designated as the World Heritage Site and is enclosed within a beautifully laid out park. The Lakshmana and Vishwanath Temples to the front and The Kandriya Mahadev, Jagadami and Chitragupta Temples displays the best craftmanship of Khajuraho




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Saturday, March 21, 2009

Harmandir Sahib (Golden Temple) Amritsar, Punjab, INDIA

Amritsar is the holy city of the Sikh religion, because it is home to the Golden Temple. That's real gold on the outside of the temple; when wealthy Sikhs die, they often leave their money to the church to buy a little more gold for the temple. We happened to arrive just after a months-long project in late 1998 and early 1999 to polish all the gold plating on the temple.
Very few tourists go to the Golden Temple, and on the days we went there people would stop and stare at us openly. You have to remove your shoes and walk through a little water trough to clean your feet, and you have to cover your head before entering the temple grounds. They have loaner scarves to put over your head if you don't have a hat or a turban.

People walk along a wide walkway around the pool that surrounds the temple, and there is a constant din of scriptures being read in the temple, amplified through loudspeakers. The men in particular are very passionate about the temple; we saw men chanting while facing the temple, tears on their faces, and others prostrating themselves before the temple. There were many sights I would have liked to photograph, but didn't because they seemed like intimately felt moments for the participants.

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Konark Sun Temple

Brihadeeshwara Temple was located in Thanjavur at Tamil Nadu
The magnificent Brihadeeshwara Temple is a symbol of the greatness of the Chola Empire under the emperor king Rajaraja Chola. One of the tallest temples in the world, it was so designed that the Vimana never casts a shadow at noon at any time of the year.
Sama, Varma, the chief architect began to design a structure, which stood on a square base of 29mts and rose up to a height of about 65mts. The temple stands within a fort. The towering Vimanam is about 200 feet high. The octagonal shikharam rests on a single block of granite weighing 81tons. The size of the Nandi matches that of the huge Linga. The Kalasam on the top is about 3.8mts in height.


The temple stands within a huge compound walls rising above 15mts. Sama Varma crowned its glory with12.5feet tall finial of 9.25Kg of copper plated with 800gms for gold.
Another architectural wonder is seen in the tower with the huge dome. It is made of black granite and estimated to weigh 80tons. Besides, the gopuram on which this dome rests is 216 feet high.
The lofty sanctum tower is enclosed by a rectangular corridor consisting of two squares. The main tower occupies the central part of the rear square. The central tower has 16 tiers up to its 200 feet height. On the inner wall of the sanctum sanctorum are sculpted 108 dance poses or karmas performed by Lord Shiva.

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Monday, March 16, 2009

Discovering Ancient Secrets, Dwarka



Dwarka is an important city for Hindu Pilgrimage. It was the fabled capital city of Lord Krishna. The land for the city was reclaimed from the sea near the western shores of Saurashtra. Dwarka was a planned city built on the banks of river Gomati. The beautiful city was also known by various other names like Dwaramati, Dwarawati and Kushsthali. The city was divided into well-organized six different sectors, residential and commercial zones, spacious roads, plazas, palaces and many public places. The "Sudharma Sabha" was a hall build to hold public meetings. The buildings were constructed of stone and brick. The city also boasted of a good harbor. Dwarka is said to be one of the seven most ancient cities or the 'sapta puris' in the country.

Dwarka submerged into the sea after Sri Krishna left for the heavenly abode and the important Yadava kings were killed in fights among themselves. Arjun brought Krishna's grandsons and the Yadava wives to Hastinapur. Soon after Arjun left, the waves covered the city. Arjun has given this account in the Mahabharata.

The search for the lost city of Dwarka began as early as in 1930's. Marine Archaeology Unit (MAU) of the National Institute of Oceanography took part in this search in 1983. The search was carried out in the coastal waters of Dwarka in Gujarat. The well-fortified township of Dwarka that extended more than half a mile from the shore was discovered from 1983 to 1990. The township was built in six sectors along the banks of a river. The understructure of boulders on which the walls of the city were erected suggested that the land was reclaimed from the sea. Dwarka extended up to Bet Dwarka (Sankhodhara) in the north, Okhamadhi in the south and up to Pindara in the east. The general layout of the discovered city of Dwarka is similar to the one described in ancient texts agrees with that of the submerged city discovered by MAU.

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The Saraswat Temples, Goa


The Saraswat Hindu Temples in Goa had managed to survive the attack of the Portugal regime. The temples were moved from one place to another in order to protect them from the Portuguese. The presiding deities of these temples were at times preserved and worshipped even in the houses of the pujaris, till they were finally settled in their present day dwellings. Some of the old temples of Goa were noted for their natural beauty and simple architecture. The have certain common features like being surrounded by betel nut trees, coconut groves and lakes of pure water.

Among the oldest Saraswat Temples in Goa are the Mangesh Samsthan of Priol, the Shanthadurga Samsthan at Kavlem, the Ganapati Samsthan at Khandole, the Mahalakshmi Samsthan at Bandewade and the Sri Nagesh Maharudra Samsthan at Bandora. The Sri Nagesh Maharudra temple did not move from Bandora (Bandewade) even during the period of the Portuguese inquisition unlike other temples. Atrunja Taluka is a place, which is now called Ponda. It is a land with valleys and mountains and an ideal place for the Gods amidst coconut and areca nut groves. Ponda has several Hindu temples. A special characteristic of the Saraswat temples is that it gives priority to the local Christian devotees.

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Monuments of Golconda Fort, Hyderabad



The mud fort was converted into a massive fort of granite from 1507 AD by the first three Qutub Shahi kings over a period of 62 years. The fort was extended to a circumference of around 5 km. The rule of the Qutub Shahs at Golconda came to an end in 1687 AD with the capture of the fort by the Mughal emperor Aurangzeb. He nearly annihilated the fort and left it into a mass of undignified ruins.

Golconda Fort is a complex comprising of four distinct forts. There is a 10 km long outer wall with 87 semi-circular bastions. The some of the bastions are still mounted with cannons. The fort has eight gateways, four drawbridges and several royal apartments, halls, temples, mosques, magazines and stables inside. The primary structure of the fort is laid out in a series of enclosures that holds the public and administrative structures as well as the royal residences and halls. The Nagina Bagh also lies within an enclosure but it is in utter ruins.

One can enter the Golconda Fort through the Fateh Darwaza or the Victory Gate in the southeast corner, called after the march of Aurangzeb after his victory. The gate is studded with iron spikes so that even the elephants cannot knock them down. The Fateh Darwaza has terrific acoustic effects, which characterizes the engineering skills of the architects of Golconda. The echo of the clap of hands at the center of the dome can be heard clearly at Bala Hisar Pavilion, which is the highest point of the fort and is around 1 km away. The acoustic feature was probably added deliberately to act as a warning note to the soldiers in case of an invasion.

The Bala Hisar Gate is the most impressive of all the gateways. The decoration of the gateway is done by putting the mythical beasts and lions on stucco panels of the spandrels. One has to climb some 380 uneven stone steps from the Bala Hisar Gate to reach the fort.

Akanna and Madanna were two important Hindu officials in the court of Qutub Shah. There offices are further up. The large iron weights are half buried in the ground. The ruins of the Ambar Khana or the granary and the Bari Baoli or the step well can be seen near the upper terrace. There is also see a Hindu temple of Madanna, which belongs to the Kakatiya period. It is carved out of a huge boulder and has colorful frescos of the Goddess Kali on the white-painted facade. There is also evidence to suggest that the fort had an efficient arrangement of water supply to the resident areas over the hill. You can see the queer clay pipes as you climb the steps.

The mosque built by Taramathi is also an important structure. Ibrahim Qutub Shah built a small mosque in 1518 AD, which is distinguished by the prominent corner minarets. The courtyard of the mosque extends up to the ramparts providing magnificent views of the landscape below. There is a small Rama Mandir under the boulders close to the mosque. Ram Das, revenue official who was jailed by Abul Hasan Tana Shah for misusing state funds, carved figures of Rama, Lakshman and Hanuman on the rock surface in the cell.

At the top is the Bala Hisar Baradari, which is a wind-swept pavilion. It has twelve arches and three storeys and used as a durbar hall. Strong piers divide it into vaulted bays where a raised chamber with triple arches opens from the rear wall. A stone throne is on the uppermost terrace. A pavilion, a little away in the hills, is believed to have housed Taramathi, Abul Hasan's paramour. The Baradari has another engineering marvel. It is the natural air-conditioning provided by an empty space between the double walls, which sucks the air and releases it with accumulated pressure in the chambers.

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Saturday, March 7, 2009

Agra Fort





Ever since Babur defeated and killed Ibrahin Lodi at Panipat in 1526, Agra played an important center of Mughal Empire. Akbar chose this city on the bank of River Yamuna as his capital and proceeded to build a strong citadel for the purpose. It is said that he destroyed the damaged old fort of Agra for the purpose and raised this grand group of monuments instead in red sandstone. Started in 1565, it took eight years and thirty-five lakh rupees to complete its construction and is second only to Taj in Agra. Qasim Khan Mir Barr-u-Bahr supervised the construction of this building. One of the large fortified residences built at various strategic points of Mughal Empire; it had over five hundred buildings, as mentioned by Abul Fazal in his chronicles. Most of the buildings added later use marble as the chief construction material. At the time of Akbar, River Yamuna touched the fort and thus, a number of ghats were built here. Some of these ghats were meant to load and unload goods transported through river and other covered passages were for use by the harem inmates only.



Agra Fort is located (270 10’ 47’’N & 780 1’ 22’’ E) on the right bank of the river Yamuna in the city of Agra in Uttar Pradesh. It is one of the most important and robustly built stronghold of the Mughals, embellished with number of richly decorated buildings encompassing the imposing Mughal style of art and architecture. It was constructed by the third Mughal emperor Akbar on the remains of an ancient site known as Badalgarh. Sikandar Lodi (1487-1517) was the first Sultan of Delhi to shift his capital from Delhi to Agra. After Sikandar Lodi who died in 1517, his son Ibrahim Lodi held the fort for 9 years until he was defeated and killed in the battle of Panipat in 1526. Several palaces, wells and a mosque were built in the fort during the Lodi period.


When Babur sent his son Humayun to Agra, he captured the fort and seized a vast treasure, which included the world famous ‘Koh-i-noor’ diamond as well. Babur built a baoli (step-wall) here. Humayun was coronated here in 1530. Nazam, a water-carrier (saqqa), who had saved Humayun from drowning, was crowned here as an emperor for half-a-day. After Humayun’s defeat at Bilgram in 1540, Sher Shah of the Sur dynasty occupied Agra fort and garrisoned it.

Entrance Fee:Citizens of India and visitors of SAARC (Bangladesh, Nepal, Bhutan, Sri Lanka, Pakistan, Maldives and Afghanistan) and BIMSTEC Countries (Bangladesh, Nepal, Bhutan, Sri Lanka, Thailand and Myanmar) - Rs. 10 per head.

Others:US $ 5 or Indian Rs. 250/- per head (ASI);Rs. 500/- per head as Toll Tax (Agra Development Authority) (Fridays free entry by ADA)Rs. 500/- ticket of ADA is valid for the monuments of Agra Fort, Itimadi-ud-daula, Akbar’s Tomb, Sikandara and Fatehpur Sikri
(children up to 15 years free)

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Friday, March 6, 2009

The Taj Mahal


The Taj Mahal Agra is a vivid poetry in Marble. A marvellous piece of Pietra Dura (the stone inlay work) and a monument dedicated to eternal love or the eighth wonder in the World - The beauty of the Taj Mahal, located in Agra, cannot be expressed in words. Built by Shahjahan, the fifth Mughal ruler of India in 1631 AD, the mausoleum is a tribute to his second wife, advisor and soulmate, Mumtaz Mahal.
Fulfilling her wish to create an unforgettable monument in memory of their love for each other; Shahjahan organised an international competition for finalising the design of the desired structure, which took the shape of Tajmahal, Agra after construction. Made by 28 rare, semi precious and precious stones, the Taj Mahal in Agra India was designed by Ustad Ahmad Lahauri. It was erected in 22 years by the hard labour of about 20,000 craftsmen.
A geometrical and architectural marvel, the Taj Mahal, Agra is a fusion of Mughal and Islamic architecture. An aggregation of many independent structures, the Taj Mahal Agra consists of tombs, gardens, fountains, mosques and gateways. The Taj Mahal Agra is one of the finest monuments in India. The City of the Taj—Agra is also home to various historical monuments that you can visit on your tour to Agra.

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AKSHARDHAM TEMPLE






Location : Banks of River Yamuna in East DelhiManaged By : Bochasanwasi Shri Akshar Purushottam Swaminarayan SansthaFamous For : Exquisite Architecture and Ornate PillarsRemember To See : Audio Animatronics Show (Sahajanand Darshan)

As you will move south from ITO, after a kilometre or so, you will find a grand monument rising elegantly to your right, the ambrosial Akshardham Temple. Nestling on the banks of river Yamuna over 100 acres of land, the temple is a modern signature of exquisite beauty. Akshardham means the eternal, divine abode of the supreme God, the haunt of eternal values and virtues of 'Akshar' as defined in the Hindu texts where a heart of devotion, purity and peace forever perches. Portraying an impeccable blend of breathtaking grandeur, beauty, wisdom and bliss, the temple is a desired fruit of 5 years of non-stop, round-the-clock construction and blessings of HDH Pramukh Swami Maharaj of the Bochasanwasi Shri Akshar Purushottam Swaminarayan Sanstha (BAPS), which now manages this pristine architecture. The temple affords a beautiful matrix of marble and red sandstone, with many alluring sculptures that embellish its periphery. Come, experience divinity rising before your peeled eyes at Akshardham, where a religious poetry is offered to every individual heart.
Behold A Poetry Carved In Stone:
You will have to leave all your materialism before you enter the hallowed shrine. Put off shoes, leather purse, belts, cell phones and other accessories as a security measure with the temple authorities. Walk on the chaste pavement that reflects the sanctity of this eminent temple in its heart. Gaze anywhere..and you will be overwhelmed to see immense beauty sprawled all around you in exquisitely carved pillars, ornate domes, quadrangled shikhars, reincarnated in a pink and white attire. Enter the 'Mandir', standing with its head held high at 141 ft. Before you reach the sanctum sanctorum, spare out some time to appreciate the impressive pillars, hauling the colossal alcove on their shoulders. They are beautiful. You can even figure out consummate artistry - flora, fauna, dancers, musicians and Gods - crafted on their surfaces from top to bottom! Amazing, aren't they? The Garbhagriha (Inner Sanctum) reminds one of the Gothic architecture, standing like a silent spectator of divine divinity, where you can even hear your heart beat!

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Wednesday, March 4, 2009

Lotus Temple



Lotus Temple is situated 12 km to the southeast of Connaught Place. Architecturally one of the most splendid temples of India, Delhi Lotus Temple is called so because it is built in the shape of a Lotus flower. The temple got completed in the year 1986 and rises to a height of more than 40 m. Located on Bahapur Hills, it is the seventh and the latest Baha'i houses of worship in the world. Bahai Temple of New Delhi is a white marble monument designed like a half-opened lotus. Twenty-seven giant lotus petals of white marble spring out from nine pools and walkways of the temple. These walkways represent the nine unifying spiritual paths of the Baha'i faith. Exquisitely manicured lawns surround the building of the Lotus Temple. Silence is a prerequisite inside the New Delhi Lotus Temple. Also, one needs to take off the shoes while entering inside. Made up of marble, cement, sand and dolomite, this temple is often equated with the Sydney Opera House. Baha'i Temple in Delhi is often compared to the Sydney Opera House. There is a simple, but outstanding 34.27 m high central hall in the temple where people sit and meditate. Petal alcoves of the temple are inscribed with stimulating quotes of the Baha'i sacred scriptures. Though the temple belongs to the Baha'i sect, it is open to people of each and every faith. The Baha'i religion, an independent one, places great importance on prayer and meditation as instruments for the progress of the human soul. Committed to the oneness of all religions and mankind, it traces its origins to its prophet Baha'u'llah, born in Persia in the 20th century.


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Jantar Mantar



Jantar Mantar, with Yantra meaning instruments and Mantra meaning formulae, was built in the year 1724. Situated near Connaught Place, New Delhi Jantar Mantar counts amongst the numerous astronomical observatories erected by Maharaja Jai Singh II of Jaipur. The other observatories consist of the ones built in Jaipur, Varanasi, Ujjain and Mathura. It basically comprises of the instruments that were used for keeping track of celestial bodies. Jai Singh, after finding the existing astronomical instruments too small to take correct measurements, built these larger and more accurate instruments.The instruments at Jantar Mantar of Delhi display promising brilliance. However, there is a little problem, that, these instruments can no longer make accurate observations because of the numerous tall buildings that have been built around the observatory. Delhi Jantar Mantar is also a reminder of the technological achievements that took place under the rule of the Rajput kings. There is an interesting legend associated with the construction of the Jantar Mantar. It is said that Jai Singh, ardent adherer of astronomy, oversaw an argument between Hindu and Muslim over certain planetary positions.Since it was utmost necessary to solve the argument and know the positions precisely, he offered to rectify the available astronomical tables. The offer was accepted by the Mughal emperor and that led to the construction of Jantar Mantar in Delhi. At first, brass instruments were used in the observatory. However, they were found to have a number of intrinsic flaws. So after much deliberation, Jai Singh adopted the style of Prince Ulugh Beg, builder of the 15th century observatory at Samarkand, Uzbekistan. This is how the Delhi Jantar Mantar became what it is today.



Constructed By
Maharaja Jai Singh II Of Jaipur
Year of Construction
1724
Location
Near Connaught Place, New Delhi
Highlights
An Astronomical Observatory

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Road Map For Red Fort


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Rashtrapati Bhavan


It was decided in the Delhi Durbar of 1911 that the capital of India would be shifted from Calcutta to Delhi. Thus was born the city of Delhi, designed by the great architect Edwin Lutyens, along with Herbert Baker. It took approximately 20 years and 15 million pounds to build New Delhi. Built as the Viceral Lodge, Delhi Rashtrapati Bhawan comprises of four floors and 340 rooms. Now known as the President House of New Delhi, it is spread over an area of approximately 200,000-sq-feet. It took 18 years to construct this building and on the on the 18th year of its completion, India became independent.The Jaipur Column, a gift from the Maharaja of Jaipur, stands at a height of 145 m in the middle of the main court in front of the Rashtrapati Bhavan. Another one of the impressive features of the Delhi Rashtrapati Bhawan comprises of the outstandingly beautiful Mughal Gardens. Then, at the base of the building, is a spacious square, known as the Vijay Chowk. The massive neo-Buddhist copper dome of the President House of New Delhi is splendid and can be seen even from a distance of a kilometer. Underneath this fabulous dome is the circular Durbar Hall, housing the Viceroy's throne, measuring almost 22.8 m in diameter. Before the National Museum was completed, it served as a museum for a number of years. All the official ceremonies such as the swearing in of the Prime Minister, the Cabinet and the Members of Parliament, etc., take place in this hall only. Also, the Arjuna Awards for Excellence are awarded by the President from here itself. On the ground floor of the Rashtrapati Bhavan are a number of state apartments. Then, there is the State Drawing Room, State Ballroom, State Dining Room and a number of other such rooms inside the building. The Delhi Rashtrapati Bhawan consists of 54 bedrooms, along with additional accommodation for guests.

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Parliament House




Parliament House accommodates the two Houses of Parliament, Lok Sabha (House of the People) and Rajya Sabha (Council of States). Sir Edwin Lutyens and Sir Herbert Baker, the architects of New Delhi, designed this building. His Royal Highness, the Duke of Connaught, laid the foundation stone of Parliament House in the year 1921. It took six years to complete the Delhi Parliament House and its was inaugurated in the year 1927 by the then Governor-General of India, Lord Irwin. A circular building, it also houses ministerial offices, a number of committee rooms and a brilliant library.

The Rajya Sabha and Lok Sabha meetings are held in the domed circular central hall and the three semi-circular buildings. Sansad Bhavan of New is adorned with an open verandah with 144 columns and a 28 m central dome. Made up of blocks of sandstone, it has a diameter of approximately 174 m. Enclosing the Parliament House Estate is an attractive red sandstone wall or iron grill with iron gates. It is necessary to take prior permission before visiting the Parliament House of Delhi. Indians need to get permission by applying at the Parliament Secretariat and foreigners through their Embassies or High Commissions.

Designed By Edwin Lutyens and Herbert Baker
Year of Construction 1921
Location Parliament Street/ Sansad Marg, New Delhi
Significance Houses Lok Sabha (House of the People) and Rajya Sabha (Council of States)
Highlights Magnificent architecture

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Sunday, March 1, 2009

Old Fort




Delhi is a city with an impressive and remarkable history. Standing as a witness to this interesting bygone era are the various monuments of Delhi. From the Old Fort to the Tughlaqabad area to the various tombs in the city, each one represents a separate period in the history of Delhi. In the area of New Delhi, historical monuments cover mostly those that were built during the time of the British like the Parliament House, President's House, the India Gate etc. However, one thing that is common in all the monuments of Delhi is their architectural excellence. Be it the Red Fort built by Shah Jahan or the Parliament House designed by Edwin Lutyens, each and every monument has an architectural beauty that leaves you mesmerized. All said and done, the magnificence of Delhi monuments cannot be fully described and you will have to visit them to really appreciate them.

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Humayun's Tomb


Humayun's Tomb:Privileged to be assigned as a World Heritage site by UNESCO, this tomb was believed to be designed by Haji Begum, Humayun's Persian widow in the mid 16th century, shortly after his death in 1556. The tomb was an important predecessor of Mughal mausoleums. The 'Garden Tomb' as it is popularly called, is set amidst a geometrically planned garden with a number of water channels crisscrossing it. Typically, a Persian garden that would later be seen in the Red Fort of Delhi and Taj Mahal of Agra, its architectural form and especially its main chamber bears familiarity with the tomb of the Mongol Ilkhanid ruler of Persia, Oljeytu, at Sultaniyya, which in turn was influenced by Timurid architecture of the tomb of Timur (Tamerlane) in Samarkand, the lineage of Babur. The first Indian building to use the Persian double dome, Humayun's tomb is harmonious in its proportions and has some impressions of Indian architecture that are clearly visible in the small kiosks or chhatris on the roof. The building has beautiful inlaid tile work and intricately carved stone screens.

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India Gate




India Gate is on of the important Delhi Monuments which was constructed in memory of the 80, 000 martyrs of World War I. Constructed under the guidance of Edwin Lutyens, India Gate is an arch structure of 42 meters of height. The walls of India Gate are inscribed with the names of those 70, 000 soldiers who sacrificed their lives in the first World War. Amar Jawan Jyoti is a prime appeal of India Gate. The ever-lighted flames of this Jyoti pay respect to the brave martyrs of the 1971 war . Then there is a shallow domed bowl which is kept at the top of the structure of India Gate. During significant events burning oil is poured into this bowl. As a prime monument of Delhi India Gate plays an important role on the Republic Day. Every year on 26th January Republic Day parade is conducted in front of the India Gate by the school children and soldiers. Advanced military artilleries and vehicles are used in this prestigious parade. Some of the added attractions of India Gate include the boat club and Children Park. India Gate is also a favorite destination of picnickers. People coming to visit India Gate can get a glimpse of the Rashtrapati Bhawan which is not too far away from this monument. As a magnificent symbol of patriotism India Gate stands tall at Rajpath in Delhi.

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